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Cover von Rufus Bonds Jr. & Maria Cominis: Production Collaboration in the Theatre

Rufus Bonds Jr. & Maria Cominis: Production Collaboration in the Theatre

Production Collaboration in the Theatre reveals the ingredients of proven successful collaborations in academic and professional theatre training, where respect, trust, and inclusivity are encouraged …

Cover von Hugo G. Espinosa & Ivan (Griffith University, Southport, Australia) Gratchev: Advancing Engineering Education Beyond COVID

Hugo G. Espinosa & Ivan (Griffith University, Southport, Australia) Gratchev: Advancing Engineering Education Beyond COVID

Educators, are you ready to meet the challenge of cultivating the next generation of engineers in a post-COVID-19 context? Current engineering student cohorts are unique to their predecessors: they …

Cover von Tom Bishop & Alexa Alice Joubin: The Shakespearean International Yearbook

Tom Bishop & Alexa Alice Joubin: The Shakespearean International Yearbook

This year publishing its twentieth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encoun …

Cover von Allan Stewart Jepson & Raphaela Stadler: Reimagining Community Festivals and Events

Allan Stewart Jepson & Raphaela Stadler: Reimagining Community Festivals and Events

This book celebrates and builds on Alan Clarke (1956 2021) and Allan Jepson s 2015 book Exploring Community Festivals and Events. It showcases how far the study of community festivals and events has …

Cover von Joel Golby: BRILLIANT BRILLIANT BRILLIA EB

Joel Golby: BRILLIANT BRILLIANT BRILLIA EB

‘This is a funny and beautiful book. What a little bastard.’ RUSSELL BRAND‘A millennial“s answer to David Sedaris. No writer is funnier than Joel Golby.’ DOLLY ALDERTONA collection of full-throated …

Cover von Rebecca (The Australian National University) Clode: Australian Metatheatre on Page and Stage

Rebecca (The Australian National University) Clode: Australian Metatheatre on Page and Stage

This book offers the first major discussion of metatheatre in Australian drama of the late twentieth and early twenty-first centuries. It highlights metatheatre’s capacity to illuminate the wider soc …

Cover von Sidney (University of Florida, USA) Homan: Pivotal Lines in Shakespeare and Others

Sidney (University of Florida, USA) Homan: Pivotal Lines in Shakespeare and Others

Sidney Homan defines a pivotal line as “a moment in the script that serves as a pathway into the larger play … a magnet to which the rest of the play, scenes before and after, adheres.” He offers his …

Cover von Claudia Orenstein: Reading the Puppet Stage

Claudia Orenstein: Reading the Puppet Stage

Drawing on the author’s two decades of seeing, writing on, and teaching about puppetry from a critical perspective, this book offers a collection of insights into how we watch, understand, and apprec …

Cover von Jane (Edinburgh Napier University, UK) Ali-Knight & Giulia (Oxford Brookes University, UK) Rossetti: Festivals and Edutainment

Jane (Edinburgh Napier University, UK) Ali-Knight & Giulia (Oxford Brookes University, UK) Rossetti: Festivals and Edutainment

As the first collection of studies to explore the use of edutainment within festival experiences, this book extends current knowledge and understanding of festival experiences. Relying on a series of …

Cover von Andrea Caban & Tyler Seiple: Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent

Andrea Caban & Tyler Seiple: Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent

Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent presents a comprehensive and systematic approach to accent acquisition for actors. It lays out an accessible and effecti …

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