Examining a range of fantasy films released in the past decade, Pheasant-Kelly looks at why these films are meaningful to current audiences. The imagery and themes reflecting 9/11, millennial anxieties, and environmental disasters have furthered fantasy’s rise to dominance as they allow viewers to work through traumatic memories of these issues.
Table of Content
1. Settings, Spectacle, and the Other: Picturing Disgust in Jackson’s The Lord of the Rings Trilogy 2. Bewitching, Abject, Uncanny: Magical Spectacle in the Harry Potter Films 3. Pirate Politics and the Spectacle of the Other: Pirates of the Caribbean 4. Resurrection, Anthropomorphism, and Cold War Echoes in Adamson’s The Chronicles of Narnia: The Lion, the Witch and the Wardrobe 5. The Aesthetics of Trauma: Temporality and Multidirectional Memory in Pan’s Labyrinth 6. Reframing the Cold War in the Twenty-First Century: Action, Nostalgia, and Nuclear Holocaust in Indiana Jones and the Kingdom of the Crystal Skull 7. The Ecstasy of Chaos: Mediating 9/11, Terrorism, and Trauma in The Dark Knight 8. Wounding, Morality, and Torture: Reflections of the War on Terror in Iron Man and Iron Man 2 9. Shock and Awe: Terror, Technology, and the Sublime Nature of Cameron’s AvatarAbout the author
Frances Pheasant-Kelly is a senior lecturer in Film Studies in the School of Law, Social Science and Communication at the University of Wolverhampton.
Language English ● Format PDF ● Pages 211 ● ISBN 9780230392137 ● File size 2.1 MB ● Publisher Palgrave Macmillan US ● City New York ● Country US ● Published 2016 ● Downloadable 24 months ● Currency EUR ● ID 2712509 ● Copy protection Social DRM