Veronica T. Watson 
The Souls of White Folk 
African American Writers Theorize Whiteness

The Souls of White Folk: African American Writers Theorize Whiteness is the first study to consider the substantial body of African American writing that critiques whiteness as social construction and racial identity. Arguing against the prevailing approach to these texts that says African American writers retreated from issues of “race” when they wrote about whiteness, Veronica T. Watson instead identifies this body of literature as an African American intellectual and literary tradition that she names “the literature of white estrangement.”


In chapters that theorize white double consciousness (W. E. B. Du Bois and Charles W. Chesnutt), white womanhood and class identity (Zora Neale Hurston and Frank Yerby), and the socio-spatial subjectivity of southern whites during the civil rights era (Melba Patillo Beals), Watson explores the historically situated theories and analyses of whiteness provided by the literature of white estrangement from the late-nineteenth through the mid-twentieth centuries. She argues that these texts are best understood as part of a multipronged approach by African American writers to challenge and dismantle white supremacy in the United States and demonstrates that these texts have an important place in the growing field of critical whiteness studies.

About the author

Veronica T. Watson is professor of English and director of the literature and criticism program at Indiana University of Pennsylvania. She is coeditor of Unveiling Whiteness in the Twenty-First Century: Global Manifestations, Transdisciplinary Interventions; editor of The Short Stories of Frank Yerby; and author of The Souls of White Folk: African American Writers Theorize Whiteness, the latter two published by University Press of Mississippi.