Estelle M. Hurll 
Correggio 
A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation

Estelle M. Hurll’s ‚Correggio‘ offers an in-depth analysis of the Italian Renaissance artist Antonio Allegri, known as Correggio. Through a combination of art historical research and vivid descriptions, Hurll explores Correggio’s groundbreaking techniques in perspective and use of light and shadow, which influenced the development of Baroque art. The book delves into Correggio’s masterpieces such as ‚The Assumption of the Virgin‘ and ‚Jupiter and Io, ‚ shedding light on his innovative approach to composition and representation. Hurll’s writing is both informative and engaging, making ‚Correggio‘ a valuable resource for art enthusiasts and scholars alike. The book is a must-read for those interested in Renaissance art and the evolution of painting techniques in 16th-century Italy.

Über den Autor

Estelle May Hurll (1863–1924) was a 19th-century art critic and author, renowned for her contributions to the field of art history and art criticism. Hurll’s work focused on the aesthetic education and appreciation of art through detailed analysis of individual artists and their works. Her scholarly approach often combined biographical details with critical assessments of artists‘ styles and techniques, making art more accessible to a lay audience.

One of her notable works is ‚Correggio‘, which delves into the life and art of Antonio Allegri da Correggio, an influential Italian Renaissance painter. This book exemplifies Hurll’s ability to articulate the nuanced characteristics of Renaissance art, emphasizing Correggio’s use of chiaroscuro and his skill in depicting emotions and movement, elements that have made him lauded as a precursor to the Baroque style.

Hurll’s literary style frequently employed a didactic tone, intending to educate readers on the importance of art’s cultural and aesthetic qualities. Her writings stand as an important contribution to early art history pedagogy, influencing the way art has been taught and appreciated in the years following her passing. Her works continue to serve as valuable resources for those interested in the art and artists of the Renaissance period.