This book represents the first extended consideration of contemporary crime fiction as a European phenomenon. Understanding crime fiction in its broadest sense, as a transmedia practice, and offering unique insights into this practice in specific European countries and as a genuinely transcontinental endeavour, this book argues that the distinctiveness of the form can be found in its related historical and political inquiries. It asks how the genre’s excavation of Europe’s history of violence and protest in the twentieth century is informed by contemporary political questions. It also considers how the genre’s progressive reimagining of new identities forged at the crossroads of ethnicity, gender, and sexuality is offset by its bleaker assessment of the corrosive effects of entrenched social inequalities, political corruption, and state violence. The result is a rich, vibrant collection that shows how crime fiction can help us better understand the complex relationship between Europe’s past, present, and future.
Seven chapters are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Inhaltsverzeichnis
1. Where’s the Empire? Loss, Geopolitical Agency and Imperial Longing in Jacqueline Winspear’s Maisie Dobbs Series.- 2. The Fingerprints of Fascism: Phillip Kerr’s Bernie Gunther Novels, Nazi Noir, and the Continuing Presence of the Past.- 3. Noir Bearing Gifts: The Greek Shoah and its memory in Philip Kerr’s Greeks Bearing Gifts.- 4. Confronting Memories: The Case of Babylon Berlin.- 5. Crime for a Higher Cause: The Baader Meinhof Complex and The Left Wing Gang.- 6. No Future and Spectrality in David Peace’s Red Riding Quartet.- 7. The Trails of a Counter-Narrative: The Representation of the Years of Lead in Loriano Macchiavelli’s Sarti Antonio’s Series.- 8. Didier Daeninckx, Le roman noir de l’Histoire (2019): Dismantling the Tale of French History through Disseminated Micro-Histories.- 9. Revisioning the Past to Build the Democratic Future: The Cases of Italian and Spanish Crime Fiction.- 10. How does Crime Fiction ‘talk politics’? Figures of Political Action in Contemporary French Crime Writing.- 11. Shadow Economies: The Financial Crisis and European TV Crime Series.- 12. A ‘Bottom-Up’ Approach to Transcultural Identities: Petra and Women Detectives in Italian TV Crime Drama.- 13. The Excavation of History and the Quest for Identity in Contemporary Polish Crime Fiction.- 14. Euroscapes: Space, Place and Multi-Level Governance in European Television Crime Series.
Über den Autor
Monica Dall’Asta is Professor of Film and Media Studies at the University of Bologna, Italy. She has written widely about early film seriality, the history of film theories, and the work of women in the early film industries. She is one of the founding editors of the Women Film Pioneers Project and served as Coordinator of the DETECt-Detecting Transcultural Identity in European Popular Crime Narratives project (2018–21).Jacques Migozzi is Professor of French Literature at the University of Limoges, France, where he leads the Groupe de recherches sur les Littératures Populaires et Cultures Médiatiques. Having written about popular fiction for 30 years, he published a synthetical essay in 2005, Boulevards du Populaire, and has edited or co-edited 12 volumes or journal special issues.
Federico Pagello teaches Film and Media Studies at the University of Chieti-Pescara, Italy. His current research focuses on popular serial narratives and their transmedia and transmedia circulation, with a particular attention to the crime genre. His most recent monograph is entitled Quentin Tarantino and Film Theory: Aesthetics and Dialectics in Late Postmodernity (Palgrave 2020).
Andrew Pepper is Professor of English at Queen’s University Belfast, Northern Ireland. He is author of Unwilling Executioner: Crime Fiction and the State (2016) and co-editor of Globalization and the State in Contemporary Crime Fiction (Palgrave 2016) and The Routledge Companion to Crime Fiction (2020).
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