‘Like Sophie Macintosh in
The Water Cure or Diane Cook in
The New Wilderness, Helene Bukowski imagines a pocket landscape where the concerns of our world can be contained and considered, a defamiliarized place that skews increasingly uncanny without ever becoming unrecognizable. Written with precision and poise, Milk Teeth is a moving depiction of survival and perseverance, and of how we might choose new families and communities in the face of an increasingly hostile world.’ —Matt Bell, author of
Appleseed
Skalde writes her thoughts on pieces of paper, making new discoveries and revelations, and finding scraps with which to understand her limited world. Her mother Edith tells her little, preferring the solitude of her room. Their house is full of silence, and secrets.
Skalde has only ever known life in the territory, a terrain of farms and forest cut off from the rest of the world. They are isolated further, as decades since Edith’s arrival in the territory she is still viewed as an outsider by their remaining neighbors. A heavy fog hangs over the territory, Skalde has never seen blue in the sky her entire childhood― but one day the fog dissipates, and is replaced by an oppressive, perpetual heat. The territory dries out, and its people become increasingly erratic, and desperate.
When Skalde finds a girl called Meisis in the forest, Skalde instantly feels she must care for her and brings her in. They form a family unit, in spite of Skalde’s increasing frustrations and anger with Edith and the urgent need to keep Meisis hidden. Meisis’s presence means there has been a serious breach in security for the territory, and soon neighbors find a way to blame Meisis’s arrival on other changes.
Beautifully written in immersive, spare prose, Helene Bukowski’s debut novel is about what it means to care for one another at the end of the world, about living with the impacts of climate change, and nationalism and the way we view “outsiders.” Jen Calleja’s translation from German is a lively rendition of this modern-day fairytale, of three women living on the brink.
The Water Cure or Diane Cook in
The New Wilderness, Helene Bukowski imagines a pocket landscape where the concerns of our world can be contained and considered, a defamiliarized place that skews increasingly uncanny without ever becoming unrecognizable. Written with precision and poise, Milk Teeth is a moving depiction of survival and perseverance, and of how we might choose new families and communities in the face of an increasingly hostile world.’ —Matt Bell, author of
Appleseed
Skalde writes her thoughts on pieces of paper, making new discoveries and revelations, and finding scraps with which to understand her limited world. Her mother Edith tells her little, preferring the solitude of her room. Their house is full of silence, and secrets.
Skalde has only ever known life in the territory, a terrain of farms and forest cut off from the rest of the world. They are isolated further, as decades since Edith’s arrival in the territory she is still viewed as an outsider by their remaining neighbors. A heavy fog hangs over the territory, Skalde has never seen blue in the sky her entire childhood― but one day the fog dissipates, and is replaced by an oppressive, perpetual heat. The territory dries out, and its people become increasingly erratic, and desperate.
When Skalde finds a girl called Meisis in the forest, Skalde instantly feels she must care for her and brings her in. They form a family unit, in spite of Skalde’s increasing frustrations and anger with Edith and the urgent need to keep Meisis hidden. Meisis’s presence means there has been a serious breach in security for the territory, and soon neighbors find a way to blame Meisis’s arrival on other changes.
Beautifully written in immersive, spare prose, Helene Bukowski’s debut novel is about what it means to care for one another at the end of the world, about living with the impacts of climate change, and nationalism and the way we view “outsiders.” Jen Calleja’s translation from German is a lively rendition of this modern-day fairytale, of three women living on the brink.
€13.99
Sobre el autor
Jen Calleja is the author of I’m Afraid That’s All We’ve Got Time For (Prototype), Goblins (Rough Trade Books) and Serious Justice (Test Centre). She is a literary translator from German of Marion Poschmann, Wim Wenders, Kerstin Hensel, Michelle Steinbeck, Gregor Hens, and more. Her translation of The Pine Islands was shortlisted for the Man Booker International Prize 2019.
Idioma Inglés ● Formato EPUB ● ISBN 9781951213398 ● Tamaño de archivo 3.7 MB ● Traductor Jennifer Calleja ● Editorial The Unnamed Press ● Ciudad Los Angeles ● País US ● Publicado 2021 ● Descargable 24 meses ● Divisa EUR ● ID 7890411 ● Protección de copia Adobe DRM
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