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I. MacKenzie & R. Porter 
Dramatizing the Political: Deleuze and Guattari 

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This is an in-depth analysis of dramatization as method in the work of Deleuze and Guattari. It provides an account of the value of this method for the study of the political with particular emphasis on the relationship between politics and art.
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Table des matières

Acknowledgements Introduction PART I Situating Deleuze and Guattari and Political Theory Dramatization as Critical Method Dramatization: The Ontological Claims PART II Language and the Method of Dramatization Cinema and the Method of Dramatization Events and the Method of Dramatization Conclusion Bibliography Index

A propos de l’auteur

IAIN MACKENZIE is a Lecturer in Political Thought at the University of Kent, UK. He is the author of
Politics: Key Concepts in Philosophy (2009),
The Idea of Pure Critique (2004) and co-editor (with Robert Porter and Benoît Dillet) of
The Edinburgh Companion to Poststructuralism (forthcoming).

ROBERT PORTER teaches Cultural and Political Theory at University of Ulster, UK. He is the author of
Ideology: Contemporary Social, Political and Cultural Theory (2006),
Deleuze and Guattari: Aesthetics and Politics (2009) and co-editor (with Iain Mackenzie and Benoît Dillet) of
The Edinburgh Companion to Poststructuralism (forthcoming).


Langue Anglais ● Format PDF ● Pages 153 ● ISBN 9780230353244 ● Taille du fichier 1.6 MB ● Maison d’édition Palgrave Macmillan UK ● Lieu London ● Pays GB ● Publié 2011 ● Téléchargeable 24 mois ● Devise EUR ● ID 4969329 ● Protection contre la copie DRM sociale

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