Joseph Sheridan Le Fanu 
60 SUPERNATURAL TALES OF HORROR 
Carmilla, In a Glass Darkly, The House by the Churchyard, Madam Crowl’s Ghost, Uncle Silas…

Joseph Sheridan Le Fanu’s ’60 Supernatural Tales of Horror’ is a collection of chilling and mysterious stories that explore the realms of the supernatural. Known for his gripping narrative style and ability to create an eerie atmosphere, Le Fanu’s stories delve into haunted houses, ghostly apparitions, and otherworldly encounters that will leave readers on the edge of their seat. Written in the Gothic tradition, these tales are filled with suspense, supernatural elements, and psychological horror that linger long after the final page. Le Fanu’s skillful craftsmanship and attention to detail make this collection a must-read for fans of classic horror literature. Drawing upon his own experiences and fascination with the supernatural, Le Fanu brings a sense of authenticity and dread to each story, captivating readers with his masterful storytelling. ’60 Supernatural Tales of Horror’ is a captivating and haunting collection that will appeal to anyone with a taste for the macabre and the unknown.

A propos de l’auteur

Joseph Sheridan Le Fanu (1814–1873) was an Irish writer, often hailed as one of the leading figures in 19th-century gothic literature. His tales are characterized by their chilling blend of the supernatural, mystery, and psychological horror, a style that has had a lasting influence on the horror genre. Born in Dublin to a literary family, Le Fanu was educated at Trinity College where he later graduated with a law degree. However, his fascination with the eerie and the occult led him to pursue writing full-time. Le Fanu’s most famous works include ‘Uncle Silas’ and ‘Carmilla’, the latter being one of the earliest works of vampire fiction, predating Bram Stoker’s ‘Dracula’ by more than twenty years. His compilation ’60 Supernatural Tales of Horror’ is a testament to his prolific output and mastery over the supernatural narrative. Le Fanu’s work is distinguished by its atmospheric tension and nuanced exploration of fear, often delving into themes of isolation, ancestral guilt, and the unknown. Revered as the ‘Invisible Prince of Dublin’, he contributed significantly to the Irish literary tradition. Despite his considerable oeuvre, Le Fanu’s work fell into relative obscurity following his death, only to be revived later by enthusiasts of Victorian gothic fiction. Today, Le Fanu’s contributions to the literary world are widely acknowledged, and he remains an essential author for those captivated by the macabre and the uncanny.