One of Charles Dickens’ most personally resonant novels, Little Dorrit speaks across the centuries to the modern reader. Its depiction of shady financiers and banking collapses seems uncannily topical, as does Dickens’ compassionate admiration for Amy Dorrit, the “child of the Marshalsea, ” as she struggles to hold her family together in the face of neglect, irresponsibility, and ruin. Intricate in its plotting, the novel also satirizes the cumbersome machinery of government. For Dickens, Little Dorrit marked a return to some of the most harrowing scenes of his childhood, with its graphic depiction of the trauma of the debtors’ prison and its portrait of a world ignored by society. The novel not only explores the literal prison, but also the figurative jails that characters build for themselves.
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Charles John Huffam Dickens (1812–1870) was born in Portsmouth and eventually became a reporter in London. With a virtually unbroken string of literary successes, Dickens gained unparalleled international fame and stature. He is best known for the works
A Christmas Carol, Oliver Twist, Great Expectations, and
A Tale of Two Cities.
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