Rebecca Meyers & William Rothman 
Looking with Robert Gardner 

During his lifetime, Robert Gardner (1925–2014) was often pigeonholed as an ethnographic filmmaker, then criticized for failing to conform to the genre’s conventions—conventions he radically challenged. With the release of his groundbreaking film
Dead Birds in 1963, Gardner established himself as one of the world’s most extraordinary independent filmmakers, working in a unique border area between ethnography, the essay film, and poetic/experimental cinema. Richly illustrated,
Looking with Robert Gardner assesses the range and magnitude of Gardner’s achievements not only as a filmmaker but also as a still photographer, writer, educator, and champion of independent cinema. The contributors give critical attention to Gardner’s most ambitious films, such as
Dead Birds (1963, New Guinea),
Rivers of Sand (1975, Ethiopia), and
Forest of Bliss (1986, India), as well as lesser-known films that equally exemplify his mode of seeking anthropological understanding through artistic means. They also attend to his films about artists, including his self-depiction in
Still Journey On M (2011); to his roots in experimental film and his employment of experimental procedures; and to his support of independent filmmakers through the Harvard Film Study Center and the television series
Screening Room, which provided an opportunity for numerous important film and video artists to present and discuss their work.

विषयसूची

Introduction Robert Gardner


Rebecca Meyers, William Rothman, and Charles Warren



Part I. Overviews and General Topics



1. Some Notes on Robert Gardner


Eliot Weinberger



2. In Flight with Robert Gardner


Tom Conley



3. Colors


Fanny Howe



4. Aesthetic Form and Ethnographic Discourse


Daniel Morgan



5. Robert Gardner and Jean Rouch:
Regards Croisés


Maxime Scheinfeigel



6. Robert Gardner’s Reality


Charles Warren



7. To Give, To Take, and To Return


Gayatri Chatterjee



8. Ethno-Cine-Poet: Robert Gardner and Experimental Film


Kathryn Ramey



9. A Revolution in Favor of Television: WCVB-TV and Robert Gardner’s
Screening Room


Brian L. Frye



10. On Shamanism and Other Encounters: A Conversation with Robert Gardner in Mexico


Carlos Y. Flores and Antonio Zirión



11. Returning with Robert Gardner to the Baliem Valley, 1988–89


Susan Meiselas



Part II. Looking at Individual Films



12. First Encounters: An Essay on
Dead Birds and Robert Gardner


Charles Musser



13. Allegory and Gender Representation in
Rivers of Sand


Mauro Bucci



14. Word against Flesh in
Rivers of Sand


Irina Leimbacher



15. Look At Me!
Deep Hearts and the Vertiginous Self


Murray Pomerance



16. Nomadic Metrosexuals: Framing Beauty, Editing Ritual, and Exhibiting Masculinity in
Deep Hearts


Ricardo E. Zulueta



17. Film, Matter, and Spirit:
Forest of Bliss


Richard Allen



18. The Same Thing from Different Angles: Resituating
Forest of Bliss


Julia Yezbick



19. Hand Eye Coordination: Robert Gardner’s Artist Films


Richard Deming



20. Learning from Catalonia


Bruce Jenkins



21.
Dead Birds Re-Encountered: A Journey of Return


William Rothman



Acknowledgments

Credits

Appendices



Robert Gardner Biographical Sketch

Robert Gardner Filmography

Publications by Robert Gardner

Books about Robert Gardner’s Work



Contributors

Index

लेखक के बारे में

Rebecca Meyers is a filmmaker and Academic Film Programmer at Bucknell University, where she teaches in the Film/Media Studies program. She worked with Robert Gardner as editor on his late films.
William Rothman is Professor of Cinema and Interactive Media at the University of Miami. Among his numerous books are three published by SUNY Press:
Hitchcock: The Murderous Gaze, Second Edition and as editor,
Cavell on Film and
Three Documentary Filmmakers: Errol Morris, Ross Mc Elwee, and Jean Rouch.
Charles Warren is Lecturer on Film at Boston University and Associate of the Visual and Environmental Studies Department at Harvard University. He writes widely on film and has edited many books, including Gardner’s
Making Dead Birds,
Just Representations, and
Human Documents: Eight Photographers.