Vernon Lee 
Vanitas: Polite Stories 

Vernon Lee’s ‘Vanitas: Polite Stories’ is a collection of short stories that delves deep into the themes of beauty, mortality, and the fickle nature of society. Written in Lee’s signature elegant and detailed prose, each story within the collection offers a nuanced exploration of human emotions and behavior. Set against the backdrop of the late 19th century, Lee’s literary style combines elements of realism and symbolist storytelling, creating a rich tapestry of narratives that resonate with the reader long after the final page. ‘Vanitas’ stands out in the literary context of its time for its unapologetic examination of societal norms and the darker aspects of human nature. As a prominent figure in the aesthetic movement, Vernon Lee’s keen observations and sharp wit shine through in this collection, making it a compelling read for those interested in the complexities of human relationships and societal expectations. ‘Vanitas: Polite Stories’ is a must-read for fans of thought-provoking literature that challenges conventional storytelling and offers a fresh perspective on timeless themes.

Tentang Penulis

Vernon Lee, the pseudonym of Violet Paget (1856–1935), was a British writer known for her sharp intellect and a prolific body of work that included supernatural fiction, Italian history, and aesthetics. Born to expatriate parents in France, Lee maintained a lifelong connection with Italy, often reflected in her writing. She gained recognition for her incisive essays on art, music, and travel, but it was her contributions to the realm of supernatural and psychological fiction for which she is most remembered. Notably, her collection of tales ‘Vanitas: Polite Stories’ showcases Lee’s distinctive literary style, marked by a blending of erudition with Gothic and Decadent themes. Her works often explored the subtleties of psychological experiences and esoteric scholarship. Lee’s literary output was extensive, reflecting her deep knowledge of European culture and her feminist leanings, as demonstrated in her insistence on professional authorship as a woman in Victorian society. Embraced by the literary circles of her day, Lee’s influence extended beyond literature into the realm of aesthetics, where she advanced the concept of ‘empathy’ (Einfühlung), which would later be absorbed into psychological theory. Her work has since been the subject of scholarly examination, lauding her as an under-recognized literary figure whose writing transcends the boundaries between genre fiction and intellectual discourse.