Jacopo Galimberti & Noemi de Haro García 
Art, Global Maoism and the Chinese Cultural Revolution 

Introduction: the art of contradiction – Jacopo Galimberti, Noemi de Haro García and Victoria H. F. Scott
1 Realising the Chinese Dream: three visions of Making China great again – Stefan R. Landsberger
2 Realism, socialist realism and China’s avant-garde: a historical perspective – Yan Geng
3 Engineering the human soul in 1950s Indonesia and Singapore – Simon Soon
4 Framing margins: Mao and visuality in twentieth-century India – Sanjukta Sunderason
5 The Black Panther newspaper and revolutionary aesthetics – Colette Gaiter
6 The Red Flag: the art and politics of West German Maoism – Lauren Graber and Daniel Spaulding
7 A secondary contradiction: feminist aesthetics and ‘The Red Room for Vietnam’ – Elodie Antoine
8 Materialist translations of Maoism in the work of Supports/Surfaces – Allison Myers
9 Mao, militancy and media: Daniel Dezeuze and China from scroll to (TV) screen – Sarah Wilson
10 La Familia Lavapiés: Maoism, art and dissidence in Spain – Noemi de Haro García
11 Maoism, Dadaism and Mao-Dadaism in 1960s and 1970s Italy – Jacopo Galimberti
12 Another red in the Portuguese diaspora: Lourdes Castro and Manuel Zimbro’s Un autre livre rouge – Ana Bigotte Vieira and André Silveira
13 Avenida Mao Tse Tung (or how artists navigated the Mozambican Revolution) – Polly Savage
14 Maoist imaginaries in Latin American art – Ana Longoni
15 Iconography of a prison massacre: drawings by Peruvian Shining Path war survivors – Anouk Guiné
16 Mao in a gondola: Chinese representation at the Venice Biennale (1993–2003) – Estelle Bories
17 Reproducibility, propaganda and the Chinese origins of neoliberal aesthetics – Victoria H. F. Scott
Index