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Louis Chude-Sokei 
The Sound of Culture 
Diaspora and Black Technopoetics

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Copertina di Louis Chude-Sokei: The Sound of Culture (ePUB)

The Sound of Culture explores the histories of race and technology in a world made by slavery, colonialism, and industrialization. Beginning in the late nineteenth century and moving through to the twenty-first, the book argues for the dependent nature of those histories. Looking at American, British, and Caribbean literature, it distills a diverse range of subject matter: minstrelsy, Victorian science fiction, cybertheory, and artificial intelligence. All of these facets, according to Louis Chude-Sokei, are part of a history in which music has been central to the equation that links blacks and machines. As Chude-Sokei shows, science fiction itself has roots in racial anxieties and he traces those anxieties across two centuries and a range of writers and thinkers—from Samuel Butler, Herman Melville, and Edgar Rice Burroughs to Sigmund Freud, William Gibson, and Donna Haraway, to Norbert Weiner, Sylvia Wynter, and Samuel R. Delany.

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Tabella dei contenuti

Acknowledgments
Introduction
MODERNISM’S BLACK MECHANICS
Of Minstrels and Machines: Tales of the Racial Uncanny
Karel apek’s Black Myth
Prognosticating Echoes: Race, Sound, and Naturalizing Technology
HUMANIZING THE MACHINE
Masters, Slaves, and Machines: Race and Victorian Science Fiction
Melville’s Man-Machine
Erewhon: Lost Races and Mechanical Souls
CREOLIZATION AND TECHNOPOETICS
Sexing Robots, Creolizing Technology
Cyberpunk’s Dubwise Ontology
The Music of Living Machinescapes: Creolization and Artificial Intelligence
A CARIBBEAN PRE-POSTHUMANISM
Echolocating Surrealism
Sylvia Wynter’s Naked Declivity
Caliban’s Uncanny Valley
Appendix A: A Playlist
Notes
Bibliography
Index

Circa l’autore

Louis Chude-Sokei is a professor of English at the University of Washington, Seattle. His essays have appeared widely in publications such as African American Review, Transition, and The Believer. He is the author of The Sound of Culture Diaspora and Black Technopoetics, The Last ‘Darky’: Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora, which was a finalist for the Hurston/Wright Legacy Award.
Lingua Inglese ● Formato EPUB ● Pagine 280 ● ISBN 9780819575784 ● Dimensione 2.5 MB ● Casa editrice Wesleyan University Press ● Città CT. 06459 ● Paese US ● Pubblicato 2015 ● Scaricabile 24 mesi ● Moneta EUR ● ID 5513269 ● Protezione dalla copia Adobe DRM
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