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Hoes van Gary Armstrong & James Rosbrook-Thompson: Power Plays

Gary Armstrong & James Rosbrook-Thompson: Power Plays

In der Politik ist Machtausübung meist auf ‘harte’ und ‘weiche’ Methoden beschränkt. Im Bereich des Sports lassen sich ebensolche Mechanismen finden, jedoch kann im Sport weitaus subtiler und …

Hoes van Kassidy-Rose McMahon: Music Research Proposal. The most effective behaviour management strategies (Primary school)

Kassidy-Rose McMahon: Music Research Proposal. The most effective behaviour management strategies (Primary school)

Literature Review from the year 2018 in the subject Musicology, grade: High Distinction, Griffith University (Queensland Conservatorium of Music), course: Introduction to Music Research (2329QCM), …

Hoes van Lena Dassonville: The Fetishization of Female Trauma. How Mozart Constructs Sovereignty Through Maleness and Denies Sovereignty Through Femaleness

Lena Dassonville: The Fetishization of Female Trauma. How Mozart Constructs Sovereignty Through Maleness and Denies Sovereignty Through Femaleness

Literature Review from the year 2016 in the subject Musicology, grade: A, , course: Seminar II, language: English, abstract: I aim to illuminate the sexual, familial, and the political power …

Hoes van Kassidy-Rose McMahon: Three things everyone should know about popular music

Kassidy-Rose McMahon: Three things everyone should know about popular music

Essay from the year 2017 in the subject Musicology, Griffith University (Queensland Conservatorium of Music), course: Bachelor of Music, language: English, abstract: This essay discusses three …

Hoes van Charles Lustig: Bob Dylan‘s significance for the music industry based on the selected songs and focussing on the years 1965–1975

Charles Lustig: Bob Dylan‘s significance for the music industry based on the selected songs and focussing on the years 1965–1975

Pre-University Paper from the year 2018 in the subject Musicology, grade: 1, 9, , language: English, abstract: This paper should provide a better view on the influence Bob Dylan had on the music …

Hoes van Tiziano Manca: Before Sound

Tiziano Manca: Before Sound

In Before Sound, composer Tiziano Manca investigates the premises for and consequences of a major change in his compositional practice: this change emphasizes the temporality of sound and, more …

Hoes van Johannes Salim Ismaiel-Wendt & Andi Schoon: Postcolonial Repercussions

Johannes Salim Ismaiel-Wendt & Andi Schoon: Postcolonial Repercussions

Can sound be perceived independently of its social dimension? Or is it always embedded in a discursive network? »Postcolonial Repercussions« explores these questions in form of a collective …

Hoes van Stefanie Kiwi Menrath: Anonymity Performance in Electronic Pop Music

Stefanie Kiwi Menrath: Anonymity Performance in Electronic Pop Music

Anonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars …

Hoes van Anita Jóri: The Discourse Community of Electronic Dance Music

Anita Jóri: The Discourse Community of Electronic Dance Music

Research on electronic dance music communities has been initiated by scholars in the fields of sociology, cultural studies, public health research and others. Linguistic aspects, however, are rarely …

Hoes van Martha Brech & Ralph Paland: Kompositionen für hörbaren Raum / Compositions for Audible Space

Martha Brech & Ralph Paland: Kompositionen für hörbaren Raum / Compositions for Audible Space

The integration of audible space is a central aspect of electroacoustic music. Ever since the earliest analogue days of electroacoustic music, pioneers of the genre – including Pierre Schaeffer, …

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