H. Rider Haggard 
Cetywayo and his White Neighbours 
Remarks on Recent Events in Zululand, Natal, and the Transvaal

In ‘Cetywayo and his White Neighbours’ by H. Rider Haggard, the reader is transported to the colonial landscape of 19th-century Southern Africa, where tribal tensions and clashes with European settlers are at the forefront. Haggard’s vivid descriptions and attention to detail create a rich historical narrative that intertwines fictional elements with real events, providing a gripping account of the time period. The author’s use of dialogue and character development adds depth to the story, making it a compelling read for those interested in Victorian adventure literature. Set against the backdrop of the Anglo-Zulu War, the book offers a unique perspective on the complexities of race and power dynamics in colonial Africa. Haggard’s exploration of themes such as imperialism and cultural conflict resonates with contemporary debates on post-colonialism and identity politics. Recommended for readers seeking a thought-provoking historical novel with a literary flair.

Sobre o autor

Sir Henry Rider Haggard (1856–1925), better known as H. Rider Haggard, was a pioneer of the English adventure fantasy genre. Renowned for his African tales and the creation of the iconic character Allan Quatermain, Haggard’s writings have captivated readers for over a century with their vivid imagery and action. Born in Norfolk, England, Haggard was the eighth child of a barrister and was educated at Ipswich Grammar School and Garsington Rectory in Oxfordshire.

Haggard’s professional writing career was sparked by a bet with his brother, which resulted in the novel ‘King Solomon’s Mines’ (1885), but his interests and expertise were not limited to fiction. His observations and experiences during his time in South Africa provided a foundation for non-fiction works such as ‘Cetywayo and his White Neighbours’ (1882), which reflects on the political and cultural climate of the time.

An advocate for agricultural reform and a staunch believer in the value of British colonialism for bringing ‘civilization’ to the colonies, his views are deeply ingrained in his literary works. Haggard’s literary style typically intertwines detailed depictions of landscapes and vigorous narrative with themes of adventure, lost worlds, and ancient civilizations, often employing British protagonists who exemplify Victorian ideals of manliness and imperialism. Despite the controversy over his imperialistic views, Haggard’s work has left an indelible mark on literature and continues to be of historical interest for its portrayal of the period’s attitudes.