S. Cooper 
The Soul of Film Theory 

In this innovative book, Sarah Cooper revisits the history of film theory in order to bring to the fore the neglected concept of the soul and to trace its changing fortunes. The Soul of Film Theory charts the legacy of this multi-faceted, contested term, from the classical to the contemporary era.

Tabela de Conteúdo

Introduction: The Soul of Film Theory 1. Classical Souls 2. Signifying Souls 3. Body and Soul Concluding Remarks

Sobre o autor

Sarah Cooper is Head of Film Studies and Reader in Film Theory and Aesthetics at King’s College London, UK. She is author of Relating to Queer Theory (Peter Lang, 2001), Selfless Cinema? Ethics and French Documentary (Legenda, 2006, 2008) and Chris Marker (MUP, 2008).