Arthur C. Danto is unique among philosophers for the breadth of his philosophical mind, his eloquent writing style, and the generous spirit embodied in all his work. Any collection of essays on his philosophy has to engage him on all these levels, because this is how he has always engaged the world, as a philosopher and person.
In this volume, renowned philosophers and art historians revisit Danto’s theories of art, action, and history, and the depth of his innovation as a philosopher of culture. Essays explore the importance of Danto’s philosophy and criticism for the contemporary art world, along with his theories of perception, action, historical knowledge, and, most importantly for Danto himself, the conceptual connections among these topics. Danto himself continues the conversation by adding his own commentary to each essay, extending the debate with characteristic insight, graciousness, and wit.
Contributors include Frank Ankersmit, Hans Belting, Stanley Cavell, Donald Davidson, Lydia Goehr, Gregg Horowitz, Philip Kitcher, Daniel Immerwahr, Daniel Herwitz, and Michael Kelly, testifying to the far-reaching effects of Danto’s thought. Danto brought to philosophy the artist’s unfettered imagination, and his ideas about postmodern culture are virtual road maps of the present art world. This volume pays tribute to both Danto’s brilliant capacity to move between philosophy and contemporary culture and his pathbreaking achievements in philosophy, art history, and art criticism.
Cuprins
Introduction, by Daniel Herwitz and Michael Kelly
1. Arthur Danto at Columbia and in New York, by Akeel Bilgrami / A Note on My Responses, by Arthur Danto
2. Danto’s Action, by Donald Davidson / Response, by Arthur Danto
3. Crossing Paths, by Stanley Cavell / Response, by Arthur Danto
4. For the Birds/Against the Birds: The Modernist Narratives of Danto and Adorno (and Cage), by Lydia Goehr /
Response, by Arthur Danto
5. Photoshop, or, Unhanding Art, by Gregg Horowitz / Response, by Arthur Danto
6. At the Doom of Modernism: Art and Art Theory in Competition, by Hans Belting / Response, by Arthur Danto
7. The Sell-By Date, by Daniel Herwitz / Response, by Arthur Danto
8. Danto on Tansey: The Possibilities of Appearance, by Michael Kelly / Response, by Arthur Danto
9. Danto, History, and the Tragedy of Human Existence, by Frank R. Ankersmit / Response, by Arthur Danto
10. History and the Sciences, by Philip Kitcher and Daniel Immerwahr/ Response, by Arthur Danto
Despre autor
Arthur C. Danto is the Johnsonian Professor of Philosophy emeritus at Columbia University and art critic forThe Nation. His many books include
Narration and Knowledge,
After the End of Art,
Nietzsche as Philosopher, and
Art in the Historical Present, which won the National Book Critics Circle Award. He was awarded the Prix Philosophe in 2003.Daniel Herwitz is director of the Institute for the Humanities at the University of Michigan, where he also holds professorships in art and philosophy. He has taught at the University of Natal, South Africa, where he was chair of the Department of Philosophy. In addition to numerous articles on philosophy, art, politics, and culture, he is the author of
Race and Reconciliation: Essays from the New South Africa and
Making Theory/Constructing Art: On the Authority of the Avant-Garde. He has just completed a manuscript called
Diana’s Grace: Aura and Icon in our Time, about film, television, and celebrity, and is at work on a volume of short stories, one of which recently appeared in
Michigan Quarterly Review. Michael Kelly is chair of the Department of Philosophy at the University of North Carolina at Charlotte. Formerly he was the executive director of the American Philosophical Association and managing editor of the
Journal of Philosophy. He has taught philosophy at Columbia and philosophy and art history at the University of Delaware and is the author of
Iconoclasm in Aesthetics and the editor-in-chief of the
Encyclopedia of Aesthetics.
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