Honoré de Balzac 
Seraphita 

As the eye glances over a map of the coasts of Norway, can the imagination fail to marvel at their fantastic indentations and serrated edges, like a granite lace, against which the surges of the North Sea roar incessantly? Who has not dreamed of the majestic sights to be seen on those beachless shores, of that multitude of creeks and inlets and little bays, no two of them alike, yet all trackless abysses? We may almost fancy that Nature took pleasure in recording by ineffaceable hieroglyphics the symbol of Norwegian life, bestowing on these coasts the conformation of a fish’s spine, fishery being the staple commerce of the country, and well-nigh the only means of living of the hardy men who cling like tufts of lichen to the arid cliffs. Here, through fourteen degrees of longitude, barely seven hundred thousand souls maintain existence. Thanks to perils devoid of glory, to year-long snows which clothe the Norway peaks and guard them from profaning foot of traveller, these sublime beauties are virgin still; they will be seen to harmonize with human phenomena, also virgin—at least to poetry—which here took place, the history of which it is our purpose to relate.