Nathanael O’Reilly 
Distance 

‘With its beer-drenched Blundstones, cricket balls retrieved from neighbour’s backyards, misbehaving pastor’s kids and crabs plucked from the Moyne river, O’Reilly’s poetry collects and curates a series of vernacular objects and experiences that comprise life in Australia and beyond. From the streets of Ballarat to the dry highways of West Texas, from the floor of a petrol station in rural NSW to the evening sky seen from a Scottish beach, this poetry traverses continents, testing spaces and locations and finding them brimming with their own types of desire. Using a light touch and an elegant voice, Distance traces out nostalgia’s peculiar contours and emotional resonances, resulting in remarkable poetic moments that will return and whisper again to a reader even after the book is set down.’ — Lachlan Brown, author of Limited Cities
‘Joseph Brodsky, the Russian Nobel laureate, once remarked that memory and art have in common the ‘ability to select, a taste for detail’. In the work of Nathanael O’Reilly, memory and art come together to bring us poems that remember what cannot — what must not — be forgotten, in rich and telling detail and with a taste for quiet but incisive irony.’ — Paul Kane, author of A Slant of Light, Work Life and Australian Poetry: Romanticism and Negativity
‘Nathanael O’Reilly’s poems sound the major themes of Australian poetry: landscape, displacement, yearning, and above all a critique of cultural narrowness. O’Reilly’s plain-spoken diction is often laced with understated wit, but is given ballast by its principled grounding in lived experience.’ — Nicholas Birns, editor of Antipodes