Anne Ring Petersen 
Migration into art 
Transcultural identities and art-making in a globalised world

This book addresses a topic of increasing importance to artists, art historians and scholars of cultural studies, migration studies and international relations: migration as a profoundly transforming force that has remodelled artistic and art institutional practices across the world. It explores contemporary art’s critical engagement with migration and globalisation as a key source for improving our understanding of how these processes transform identities, cultures, institutions and geopolitics. The author explores three interwoven issues of enduring interest: identity and belonging, institutional visibility and recognition of migrant artists, and the interrelations between aesthetics and politics, including the balancing of aesthetics, politics and ethics in representations of forced migration.

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Introduction
1 Globalisation-from-above and globalisation-from-below
2 The politics of identity and recognition in the ‘global art world’
3 The artist as migrant worker
4 Mining the museum in an age of migration
5 Identification, disidentification and the imaginative reconfiguration of identity
6 Migrant geographies and European politics of irregular migration
Conclusion
Index

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Dorothy C. Rowe is Senior Lecturer in History of Art at the University of Bristol