David Greven 
Representations of Femininity in American Genre Cinema 
The Woman’s Film, Film Noir, and Modern Horror

The theme of female transformation informs the Hollywood representation of femininity from the studio era to the present. Whether it occurs physically, emotionally, or on some other level, transformation allows female protagonists to negotiate their own complex desires and to resist the compulsory marriage plot. A sweeping study of Hollywood from
Now, Voyager, The Heiress, and
Flamingo Road to
Carrie, the
Alien films,
The Brave One, and the slasher horror genre, this book boldly unsettles commonplace understandings of genre film, female sexuality, and Freudian theory as it makes a strong new case for the queer relevance of female representation.

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David Greven is Associate Professor of English at the University of South Carolina, USA. His books include
Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese and Friedkin; The Fragility of Manhood: Hawthorne, Freud, and the Politics of Gender; and
Men Beyond Desire: Manhood, Sex, and Violation in American Literature. Greven’s essays on film have been published in journals such as the Quarterly Review of Film and Video, Cinema Journal, Genders, Jump Cut, Cine Action, and Cineaste and he is on the editorial boards of Cinema Journal, Genders, and Poe Studies.