Gaston Leroux 
Chéri-Bibi et Cécily 

Dans l’oeuvre de Gaston Leroux (1868-1927), le cycle de Chéri-Bibi est le second ensemble romanesque centré autour d’un personnage.

Après Rouletabille (Le Mystère de la chambre jaune, Le Parfum de la dame en noir), Leroux met en scène les aventures de Chéri-Bibi, un forçat en rupture de ban, tendre et violent, implacable et doux, victime d’un coup du sort et de la ‘ fatalitas ‘.

Ce chef-d’oeuvre de la littérature populaire, initialement publié durant l’année 1913 en 120 feuilletons, dans ‘Le Matin’ journal parisien, méritait d’être tiré de l’oubli.

Condamné au bagne pour un crime qu’il n’a pas commis, Chéri-Bibi subit une opération de chirurgie esthétique et prend l’identité du Marquis du Touchais.

De retour en France, il trouve bonheur et joie de vivre auprès de Cécily, la femme dont il a toujours été amoureux en secret.

Hélas, il apparaît bientôt que le Marquis, dont il a pris les traits, n’est autre que le véritable auteur du crime pour lequel Chéri-Bibi a été condamné..

Yazar hakkında

Gaston Louis Alfred Leroux was a French journalist and author of detective fiction.

In the English-speaking world, he is best known for writing the novel The Phantom of the Opera (Le Fantôme de l’Opéra, 1910), which has been made into several film and stage productions of the same name, such as the 1925 film starring Lon Chaney, and Andrew Lloyd Webber’s 1986 musical. It was also the basis of the 1990 novel Phantom by Susan Kay.

Leroux went to school in Normandy and studied law in Paris, graduating in 1889. He inherited millions of francs and lived wildly until he nearly reached bankruptcy. Then in 1890, he began working as a court reporter and theater critic for L’Écho de Paris. His most important journalism came when he began working as an international correspondent for the Paris newspaper Le Matin. In 1905 he was present at and covered the Russian Revolution. Another case he was present at involved the investigation and deep coverage of an opera house in Paris, later to become a ballet house. The basement consisted of a cell that held prisoners in the Paris Commune, which were the rulers of Paris through much of the Franco-Prussian war.