John Ruskin 
Hortus Inclusus 
Messages from the Wood to the Garden, Sent in Happy Days / to the Sister Ladies of the Thwaite, Coniston

In John Ruskin’s ‘Hortus Inclusus, ‘ readers are enveloped in a rich tapestry of meditations on art, nature, and society. Ruskin’s literary style intertwines poetic language with profound philosophical insights, creating a work that is both aesthetically pleasing and intellectually stimulating. Set against the backdrop of the Victorian era, the book reflects the tension between industrial progress and the preservation of natural beauty, making it a poignant commentary on the complexities of human existence. The detailed descriptions of landscapes and gardens serve as a metaphor for the human soul, inviting readers to contemplate the interconnectedness of the physical and spiritual worlds. Through his exploration of the relationship between art and nature, Ruskin challenges readers to reconsider their perceptions of beauty and the role of art in society. John Ruskin, a prominent art critic and social thinker of the 19th century, was deeply influenced by the Romantic movement and the Pre-Raphaelite Brotherhood. His intellectual curiosity and passion for nature are evident in ‘Hortus Inclusus, ‘ as he weaves together themes of beauty, morality, and the human relationship with the natural world. Ruskin’s background in art history and his dedication to social reform provide a compelling foundation for the ideas presented in the book, making it a valuable contribution to both literature and cultural criticism. I recommend ‘Hortus Inclusus’ to readers interested in the intersection of art, nature, and society. Ruskin’s profound insights and eloquent prose offer a unique perspective on the complexities of the human experience, making this book a timeless exploration of the enduring significance of beauty and creativity.