Kari Kallioniemi 
Englishness, Pop and Post-War Britain 

Acknowledgements

Foreword

Introduction: Englishness, History and Writing about Pop Music – Seeking the Authentic Voice of Pop-Britain

Chapter 1: Strategies for Conceptualizing Notions of Pop-Englishness

1.1. The Peculiarities of English National Pop Identity

1.2. Between Modernity and Tradition: Imaginary Englishness

1.3. Englishness and Pop Geography

1.4. Pop-Englishness and Transnationalism: The History of Americanization and Relation to Europe

1.5. The Peculiar Entrepreneurialism of British Music Management

Chapter 2: From Tommy Steele to Village Green Preservation Society

2.1. Pop, English Parochialism and Post-War Britain − Change and Continuity

2.2. Young England, Half English: Englishness, the History of National Music and the Emergence of British Rock’n’roll

2.3. The Myth of Swinging Englishness: The British Invasion and Swinging London

2.4. Lazing on a Sunny Psychedelic Afternoon − Englishness and the 1960s Nostalgia for Imaginary Spaces of England

Chapter 3: Anarchy and Enterprise in the UK and the Multiplying of Notions of Pop-Englishness

3.1. From the Winter of Discontent to Free Enterprise: Thatcherism, Pop and Englishness

3.2. Punk, Disco and Progressive Rock: The Proliferation of Pop-Englishness in the 1970s

3.3. Dandyist Masks and Escape Rout(in)es of David Bowie and the New Pop

3.4. Pop-Englishness and Politics: The White British Soul Boys

Chapter 4: The Road to Britpop and Back

4.1. Blairism and Cameronism: Pop, Politics and Englishness

4.2. Morrissey as an International Outsider

4.3. The North Strikes Back − Madchester and the Northern Metaphor Revisited

4.4. The Battle for Britpop

4.5. Post-Britpop and the Ghosts of Englishnesses Past

References

Index