Robert Buchanan 
Camlan and The Shadow of the Sword 

‘Rohan, Rohan! Can you not hear me call? It is time to go. Come, come! It frightens me to look down at you. Will you not come up now, Rohan?’
The voice that cries is lost in the ocean-sound that fills the blue void beneath; it fades away far under, amid a confused murmur of wings, a busy chattering of innumerable little newborn mouths; and while the speaker, drawing dizzily back, feels the ground rise up beneath her feet and the cliffs prepare to turn over like a great wheel, a human cry comes upward, clear yet faint, like a voice from the sea that washes on the weedy reefs of blood-red granite a thousand feet below.
The sun is sinking far away across the waters, sinking with a last golden gleam amid the mysterious Hesperides of the silent air, and his blinding light comes slant across the glassy calm till it strikes on the scarred and storm-rent faces of these Breton crags, illuminating and vivifying every nook and cranny of the cliffs beneath, burning on the summits and brightening their natural red to the vivid crimson of dripping blood, changing the coarse grass and yellow starwort into threads of emerald and glimmering stars, burning in a golden mist around the yellow flowers of the overhanging broom, and striking with fiercest ray on one naked rock of solid stone which juts out like a huge horn over the brink of the abyss, and around which a strong rope is noosed and firmly knotted.