Contributions by Carl Abbott, Jacob Babb, Marleen S. Barr, Michael Fuchs, John Glover, Stephen Joyce, Sarah Lahm, James Mc Adams, Cynthia J. Miller, Fernando Gabriel Pagnoni Berns, Chris Pak, María Isabel Pérez Ramos, Stefan Rabitsch, J. Jesse Ramírez, A. Bowdoin Van Riper, Andrew Wasserman, Jeffrey Andrew Weinstock, and Robert Yeates
Metropolis, Gotham City, Mega-City One, Panem’s Capitol, the Sprawl, Caprica City—American (and Americanized) urban environments have always been a part of the fantastic imagination.
Fantastic Cities: American Urban Spaces in Science Fiction, Fantasy, and Horror focuses on the American city as a fantastic geography constrained neither by media nor rigid genre boundaries.
Fantastic Cities builds on a mix of theoretical and methodological tools that are drawn from criticism of the fantastic, media studies, cultural studies, American studies, and urban studies.
Contributors explore cultural media across many platforms such as Christopher Nolan’s Dark Knight Trilogy, the Arkham Asylum video games, the 1935 movie serial
The Phantom Empire, Kim Stanley Robinson’s fiction, Colson Whitehead’s novel
Zone One, the vampire films
Only Lovers Left Alive and
A Girl Walks Home Alone at Night, Paolo Bacigalupi’s novel
The Water Knife, some of Kenny Scharf’s videos, and Samuel Delany’s classic
Dhalgren. Together, the contributions in
Fantastic Cities demonstrate that the fantastic is able to “real-ize” that which is normally confined to the abstract, metaphorical, and/or subjective. Consequently, both utopian aspirations for and dystopian anxieties about the American city become literalized in the fantastic city.
Metropolis, Gotham City, Mega-City One, Panem’s Capitol, the Sprawl, Caprica City—American (and Americanized) urban environments have always been a part of the fantastic imagination.
Fantastic Cities: American Urban Spaces in Science Fiction, Fantasy, and Horror focuses on the American city as a fantastic geography constrained neither by media nor rigid genre boundaries.
Fantastic Cities builds on a mix of theoretical and methodological tools that are drawn from criticism of the fantastic, media studies, cultural studies, American studies, and urban studies.
Contributors explore cultural media across many platforms such as Christopher Nolan’s Dark Knight Trilogy, the Arkham Asylum video games, the 1935 movie serial
The Phantom Empire, Kim Stanley Robinson’s fiction, Colson Whitehead’s novel
Zone One, the vampire films
Only Lovers Left Alive and
A Girl Walks Home Alone at Night, Paolo Bacigalupi’s novel
The Water Knife, some of Kenny Scharf’s videos, and Samuel Delany’s classic
Dhalgren. Together, the contributions in
Fantastic Cities demonstrate that the fantastic is able to “real-ize” that which is normally confined to the abstract, metaphorical, and/or subjective. Consequently, both utopian aspirations for and dystopian anxieties about the American city become literalized in the fantastic city.
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Stefan L. Brandt is professor of American studies at the University of Graz in Austria. He is author of The Culture of Corporeality: Aesthetic Experience and the Embodiment of America, 1945–1960 and coeditor of Ecomasculinities: Negotiating Male Gender Identity in U.S. Fiction; Space Oddities: Difference and Identity in the American City; Making National Bodies: Cultural Identity and the Politics of the Body in (Post-)Revolutionary America; and Transnational American Studies.
Dil İngilizce ● Biçim EPUB ● Sayfalar 322 ● ISBN 9781496836649 ● Dosya boyutu 17.0 MB ● Editör Stefan Rabitsch & Michael Fuchs ● Yayımcı University Press of Mississippi ● Kent Jackson ● Ülke US ● Yayınlanan 2022 ● İndirilebilir 24 aylar ● Döviz EUR ● Kimlik 8230847 ● Kopya koruma Adobe DRM
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