Andrew Zurcher 
Spenser’s Legal Language 
Law and Poetry in Early Modern England

Highlights Spenser’s use of legal thought and language, resulting in new insights into his work.


Both English language and English political life underwent unprecedented change in the sixteenth century, creating acute linguistic and legal crises that, in Elizabeth I’s later years, intersected in the pioneering poetry of Edmund Spenser. This volume explores Spenser’s linguistic experimentation and his engagement with political, and particularly legal, thought and language in his major works, demonstrating by thorough lexical analysis and illustrative readings how Spenser figured the nation both descriptively and prescriptively. As a study of the language of
The Faerie Queene, the book restores Spenser to his rightful place as a bold but scholarly linguistic innovator, the equal of contemporaries such as Skelton, Shakespeare, Nashe, and Donne. As an enquiry into Spenser’s interest in contemporary politics and law, it exposes his serial and contentious engagements in contemporary political theory and practice, and indicates his substantial influence on his contemporaries and successors. Spenser emerges in this book as a poet peculiarly preoccupied with fashioning, or `applying’, his reader to the lawful use of words and deeds.


ANDREW ZURCHER is Tutor and Director of Studies in English at Queens’ College Cambridge.

Table of Content

Introduction: Reading Spenser’s Language

`Pleasing Analysis’: Renaissance Hermeneutics, Poetry, and the Law

Results: A Survey of Spenser’s Legal Diction

Property and Contract in the Quests of Florimell and Amoret

Justice, Equity and Mercy in
The Legend of Artegall

Courtesy and Prerogative in
The Legend of S. Calidore

The Composition of the World: Managing Power in the
Two Cantos of Mutabilitie

Lyric Opposition in Spenser, Shakespeare, and Donne

After Words

Glossary of Selected Legal Diction in
The Fairie Queene

Bibliography

Index