Fred M. White 
The Sundial 

In Fred M. White’s gripping novel ‘The Sundial’, readers are taken on a thrilling journey through the complexities of time and fate. Set in a small English village, the story follows a young man who discovers a mysterious sundial that seems to hold the power to alter the course of events. White’s writing style is both atmospheric and nuanced, with a keen eye for detail that brings the setting to life. The novel expertly blends elements of mystery, romance, and the supernatural, creating a compelling narrative that keeps readers engaged from start to finish. ‘The Sundial’ is a captivating blend of gothic fiction and psychological suspense, making it a standout work in the literary landscape of the time. Fred M. White’s skillful storytelling and unique premise make ‘The Sundial’ a must-read for fans of classic British literature and Gothic fiction.

About the author

Fred M. White (1859–1935), a British author known for his contributions to the thriller and disaster fiction genres, penned numerous novels and short stories in the late 19th and early 20th centuries. His literary works often combined elements of suspense, adventure, and speculative fiction, reflecting the uncertainties of the Edwardian era. White’s narratives frequently capitalized on societal fears, weaving tales that explored the potential disasters brought by new technologies and natural events. One notable example of his compelling storytelling is exhibited in ‘The Sundial’ where the interplay of human ambition and the relentless forces of nature create a thematically rich tableau. White’s work characteristically delved into the psychological and societal ramifications of catastrophe, serving as both entertainment and cautionary tales reflecting contemporary concerns. Although not as widely recognized today as some of his contemporaries, White’s novels and stories laid important groundwork for future writers, carving out his niche in the annals of early speculative and disaster fiction. His insights into the human condition, particularly in the face of impending doom, provide a significant glimpse into the preoccupations of his era and remain of interest to scholars studying the history of genre literature.