Günter Berghaus 
New Approaches to Theatre Studies and Performance Analysis 
Papers Presented at the Colston Symposium, Bristol, 21-23 March 1997

Contents: Richard Schechner , What is >Performance Studies< Anyway? – Patrice Pavis , The Conditions of Reception in the Theatre: Psychological and Psychoanalytical Approaches. – Darko Suvin , On the Epistemology and Pragmatics of Intercultural Theatre Studies. – Maria Shevtsova , Sociocultural Performance Analysis. – Jean-Marie Pradier , Ethnoscenology: The Flesh is the Spirit. – Ian Watson , Intercultural Performance: Barter, Cultural Exchange and Reception. – Deborah Kapchan , Exchanging Lies and Creating Truths: Intentionality in Moroccan Market Place Performance. – Fawzia Afzal-Khan , Desiring Methodology: Performing Postcolonial Theatre Anthropology in Pakistan. – Andrew Gurr , Versatile Venues and the Displacement of the Globe: Reconstructing Outdoor and Indoor Performances in Jacobean England. – Richard Beacham , Virtually There: Computer-assisted Reconstructions of Ancient Theatrical Spaces. – Gad Kaynar , Audience and Response-Programming Research and the Methodology of the Implied-Spectator. – Susan Bennett , Watching Another, Viewing Theatre: Questions for Audience Reception and Cross-cultural Performance. – Janet Adshead-Lansdale , Narratives and Metanarratives in Dance Analysis. – Marcia B. Siegel , Using Lexicons for Performance Research: Three Duets. – Linda Myrsiades , Performance Analysis Through Field Research: The Guerilla Theatre in Greece Under the Nazi Occupation. – Lisa Wolford , Methodological Issues in the Documentation and Analysis Grotowsky’s Art as Vehicle.