Featuring ordinary people, celebrities, game shows, hidden cameras, everyday situations, and humorous or dramatic situations, reality TV is one of the fastest growing and important popular culture trends of the past decade, with roots reaching back to the days of radio. The Tube Has Spoken provides an analysis of the growing phenomenon of reality TV, its evolution as a genre, and how it has been shaped by cultural history. This collection of essays looks at a wide spectrum of shows airing from the 1950s to the present, addressing some of the most popular programs including Alan Funt’s Candid Camera, Big Brother, Wife Swap, Kid Nation, and The Biggest Loser. It offers both a multidisciplinary approach and a cross-cultural perspective, considering Australian, Canadian, British, and American programs. In addition, the book explores how popular culture shapes modern western values; for example, both An American Family and its British counterpart, The Family, showcase the decline of the nuclear family in response to materialistic pressures and the modern ethos of individualism. This collection highlights how reality TV has altered the tastes and values of audiences in the twentieth and twenty-first centuries. It analyzes how reality TV programs reflect the tensions between the individual and the community, the transformative power of technology, the creation of the celebrity, and the breakdown of public and private spheres.
Spis treści
Table of Contents Acknowledgements Foreword Deborah A. Carmichael Editor’s Introduction Julie Anne Taddeo and Ken Dvorak Part I Reality TV as Social Experiment Citizen Funt: Surveillance as Cold War Entertainment Fred Nadis, Independent Scholar From Social Experiment to Postmodern Jokes: Big Brother and the Progressive Construction of Celebrity Lee Baron, Northumbria University, UK From the Kitchen to 10 Downing Street: Jamie’s School Dinners and Reality Cooking James Leggott, Northumbria University, UK Tobias Hochscherf, Northumbria, University, UK The Patriotic American is a Thin American: Fatness and National Identity in The Biggest Loser Cassandra L. Jones, Bowling Green State University Part II Class, Gender and Reimaging of Family Life Disillusionment, Divorce, and the Destruction of the American Dream: An American Family (1973) and the rise of Reality Television Laurie Rupert, Oklahoma State University Sayanti Ganguly, Oklahoma State University 'The television audience cannot be expected to bear too much reality’ The Family (BBC, 1974) and Reality TV Su Holmes, University of East Anglia Reality TV and the U.S. Family Leigh H. Edwards, Florida State University Shopping, Makeovers and Nationhood: Reality Television and Women’s Programming in Canada Sarah A. Matheson, Brock University, Canada Babes in Bonanza Land: Kid Nation, Commodification and the Death of Play Debbie Clare Olson, Oklahoma State University Part III Reality TV and the Living History Experiment 'A Storybook Everyday’ : Fiction and History in the Channel 4/PBS House Series Julie Anne Taddeo, University of Maryland – College Park Ken Dvorak, Indiana Higher Education Telecommunications System Living History in Documentary Practice: The Making of The Colony Aurora Scheelings, Independent Filmmaker, Griffith University, Australia 'What about giving us a real version of Australian History?’ : Identity, Ethics and Historical Understanding in Reality History Television Michelle Arrow, Macquarie University, Australia
O autorze
Deborah A. Carmichael, assistant professor at Michigan State University, is associate editor of the journal Film & History and editor of the collection The Landscape of Hollywood Westerns: Ecocriticism in an American Film Genre.Więcej książek elektronicznych tego samego autora (ów) / Redaktor
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