Antonio Baldassarre & Tatjana Marković 
Music Cultures in Sounds, Words and Images. 
Essays in honor of Zdravko Blažeković

’Music cultures in sounds, words and images’, edited by Antonio Baldassarre and Tatjana Markovic, is dedicated to the 60th birthday of the Croatian-American musicologist Zdravko Blažekovic (b. 1956, Zagreb). After his studies of musicology and first working experiences in Zagreb, Blažekovic moved to New York City, where he is since 1996 the executive editor of the RILM – Répertoire International de Littérature Musicale, and since 1998 director of the RCMI – Research Center for Music Iconography as well as editor of one of the leading journals for music iconography, ’Music in Art’, in the framework of the Barry S. Brook Center for Music Reserach and Documentation at the Graduate Center of the City University of New York. In view of Blažekovic’s very broad multidisciplinary interests, including historical musicology, music iconography, organology, archeology, lexicography and databases, this book contains 38 studies in six languages (English, German, Italian, Serbian, Croatian, Chinese) organized in six chapters: Sounds of nations, Words on musics, Performance of musical cultures, Images on musics, Organology, and Classifying data on music.

Innehållsförteckning

Antonio Baldassarre & Tatjana Marković: Introduction
SOUNDS OF NATIONS
*B. Navratil: Music in Poetry: Tumanian’s ’Anush’
*T. Marković: ’Croatness’ in music: Songfully Italian, Solidly German, a Little Bit ’Oriental’ and Above All Slavic
*I. Prodanov: Woman in Mokranjac’s Rukoveti
*A. Charkiolakis: Ideological Schemes and National Perspectives. The Use of the Greek National Anthem in Choisy’s Exile du Patre and Kasassoglou’s Four Preludes for the Return from the Front
*D.Davidović: Filmfuge
WORDS ON MUSIC
*E. Rocconi: The Edition of Marcus Meibom’s Aristoxeni Harmonicorum Elementorum Libri Tres and its Contribution to the Knowledge of Ancient Greek
Music Theory in the Seventeenth Century
*N. Schüler: Reflections on Hugo Riemann’s ’Musik-Lexikon’ and His Music Historiography
*A. Vasić: Značaj ’Srpskog književnog glasnika’ (1901–1941) u istoriji srpske muzike
*L. Stefanija: Slovenian Modernisms since 1918: Evasive Idea(l)s of the ’Classical’
*B. Knysak: Immigrant Music Journals in the United States
*Z. Boyu: 民族音乐学视阈中的音乐美学问题
*I. Pustijanac: Western Art Music Beyond the West
PERFORMANCE ON MUSICAL CULTURES
*A. W. Atlas: Ladies and the Concertina in Victorian England: Some Notes on Manufacturers’ Marketing Strategies
*G. Busch-Salmen: ’Ew. Hochfürstl. Durchlaucht haben […] selbst eine hohe Stufe der ausübenden Kunst erstiegen’ – Versuch über komponierende Fürstinnen
*T. Frühauf: Jewish Vestiges on the Banks of the Danube: Synagogue Music in ’Pannonia’
*A. Baldassarre: Identity, Ritual and Materiality of Bourgeois Power Performance: Oskar Reinhart’s Club zur Geduld in Winterthur
*U. Hemetek: Vocal Music of the Burgenland Croats: On Research History and the Impact of Methodology
*M. Milin: Muzički bijenale Zagreb i srpska muzička scena: Jugoslovenski period
*A. Pizà: Joan and John: How Miró Sponsored the Merce Cunningham Dance Company in Sitges in 1966
IMAGES ON MUSIC
*D. Castaldo: Images of Ancient Music in Jean-Jacques Boissard’s Works
*E. Ferrari-Barassi: Antonio Canova e Le Muse: Marmo, Tempera e altri Mezzi per Reinterpretare l’Antichità
*N. Guidobaldi: Il Concerto delle Muse nella Città Ideale:
Indagini sul Programma Iconografico del Tempietto
del Palazzo Ducale di Urbino con un’Ipotesi di Ricostruzione Virtuale
*M. Teresa Arfini: Johannes Theile’s ’Harmonischer Baum’. An Example of Figurative Canon
*F. Gétreau: The Portrait of a Violist and a Young Lady: Seeking Their Identity and Paternity
*H. Robert Cohen: Viafora’s ’Gallery of Celebrities’ in Musical America (1915–1920)
*N. Bezić: Artefakti Art Décoa: Primjeri iz knjižnice i arhiva. Hrvatskoga glazbenog zavoda u Zagrebu.
*A. Teniswood-Harvey: The Piano/Fountain Association:
From Franz Liszt to Salvador Dalí
*E. Wennekes: Walküre or Wabbit; Richard and/or Rango? Scratching the Surfaces of Multiple Layers of Mediatized Wagner Reception
*C. Santarelli: Color Harmonies, Music Harmonies: Notes on American Synchromism
*M. Saffle: Visual Representations of Jazz, 1915–1945
ORGANOLOGY
*L. Libin: Literature as an Adjunct to Organology
*Li Mei
曾侯乙编钟铭文中所体现中国人早期律学实践
*T. Lynch: The Seductive Voice of the ’Aulos’ in Plato’s ’Symposium’:
From the Dismissal of the ’aulteris’ to Alcibiades’ Praise of Socrates-auletes
*S. Perrot: Lyre in the Sky with Diamonds: About the Shape of a Greco-Roman Musical Constellation
* Dorothea Baumann: Organology as Methodology to Find Realistic Elements:
Musical Instruments in Swiss Marriage Announcement and Glass Panels of the Sixteenth and Seventeenth Century
CLASSIFYING DATA ON MUSICS
*A. Green & S. Ferguson: The Database of Association RId IM: Linking Data, Images and Partnerships
*B. D. Mackenzie: The ’I’ in RILM
*F. Riva: World Music Documentation System: A Phantasy o una profezia?
Leggendo Barry S. Brook quaranta anni dopo.