Trudi Tate & Kate Kennedy 
The silent morning 
Culture and memory after the Armistice

Introduction: ‘This grave day’ – Trudi Tate and Kate Kennedy
1. The parting of the ways: The Armistice, the Silence and Ford Madox Ford’s Parade’s end – John Pegum
2. Alfred Döblin’s November 1918: The Alsatian prelude – Klaus Hofmann
3. ‘A strange mood’: British popular fiction and post-war uncertainties – George Simmers
4. Fighting the peace: Two women’s accounts of the post-war years – Alison Hennegan
5. King Baby: Infant care into the peace – Trudi Tate
6. ‘What a victory it might have been’: C. E. Montague and the First World War – Andrew Frayn
7. The Bookman, the Times Literary Supplement, and the Armistice – Jane Potter
8. ‘Misunderstood … mainly because of my Jewishness’: Arthur Schnitzler after the First World War – Max Haberich
9. Leaping over shadows: Ernst Krenek and post-war Vienna – Peter Tregear
10. Silence recalled in sound: British classical music and the Armistice – Kate Kennedy
11. Sacrifice defeated: The Armistice and depictions of victimhood in German women’s art 1918–24 – Claudia Siebrecht
12. ‘Remembering, we forget’: British art at the Armistice – Michael Walsh
13. Indecisive victory? : German and British soldiers at the Armistice – Alexander Watson
14. Mixing memory and desire: British and German war memorials after 1918 – Adrian Barlow
Bibliography
Notes on contributors
Index