Durrell Bowman 
Experiencing Peter Gabriel 
A Listener’s Companion

This book, authored by the late Princeton music scholar Harold Powers, discusses a single Indian rāga called Rītigaula. Rītigaula’s pitch structure, conventions surrounding its performance, and its t …

The differences between Old-Roman, Ambrosian, Aquileian, Gallican, and Hispanic chant, and their interconnections with each other and the Gregorian chant occupied Michel Huglo in his early career, …

Ephemeral by nature, the concert setlist is a rich, if underexplored, text for scholarly research. How an artist curates a show is a significant aspect of any concert s appeal. Through the placement …

Ecologies of Creative Music Practice: Mattering Music explores music as a dynamic practice embedded in contemporary ecological contexts, one that both responds to, and creates change within, the …

Teaching Violin, Viola, Cello, and Double Bass summarizes three centuries of string pedagogy treatises to create a comprehensive resource on methods and approaches to teaching all four bowed string …

What people ultimately want from opera, audience research suggests, is to be absorbed in a story that engages their feelings, even moves them deeply, and that may lead them to insights about life …

Introducing the business models, organisational structures, and fundamentals of orchestras, this book takes readers on a journey through the evolution of orchestra management. The author explores the …

Venezuelan music has remained largely unnoticed in the academic English literature. Boasting a tremendous wealth of traditions, it displays influences from the Spanish, indigenous, and enslaved Afric …

Depeche Mode’s 101 is, at first glance, a curious thing: a live double-album by a synth band. A recording of its Concert for the Masses, 101 marks the moment when doomy, cultish, electronic Depeche …