Gaston Leroux 
Rouletabille chez Krupp 

On avait ri en France quand le savant Fulber a offert le plan d’une machine infernale capable de détruire à distance Berlin et par conséquent de terrifier assez l’Allemagne pour qu’elle cesse la guerre déclenchée en 1914. La preuve, pourtant, que l’invention est digne d’intérêt c’est que le Kaiser fait enlever Fulber, sa fille Nicole et Serge, le fiancé de celle-ci, et veut obliger les deux hommes à construire la « Titania » en les menaçant de torturer Nicole.

On frissonne dès lors â Paris, car ce chantage commence h’ opérer et la « Titania » est mise en chantier. La capitale est en danger à moins que quelqu’un trouve une solution: C’est à Rouletabille qu’on la demande. Avec ses amis Vladimir et La Candeur, il applique aussitôt l’idée qui lui vient à l’esprit : récupérer le trio à Essen au coeur même des usines Krupp.

L’idée est simple mais, en pleine guerre, tient de l’impossible – un mot qu’ignore l’esprit fertile en ressources du jeune reporter qui se lance dans la plus hardie des opérations de sauvetage.

Giới thiệu về tác giả

Gaston Louis Alfred Leroux was a French journalist and author of detective fiction.

In the English-speaking world, he is best known for writing the novel The Phantom of the Opera (Le Fantôme de l’Opéra, 1910), which has been made into several film and stage productions of the same name, such as the 1925 film starring Lon Chaney, and Andrew Lloyd Webber’s 1986 musical. It was also the basis of the 1990 novel Phantom by Susan Kay.

Leroux went to school in Normandy and studied law in Paris, graduating in 1889. He inherited millions of francs and lived wildly until he nearly reached bankruptcy. Then in 1890, he began working as a court reporter and theater critic for L’Écho de Paris. His most important journalism came when he began working as an international correspondent for the Paris newspaper Le Matin. In 1905 he was present at and covered the Russian Revolution. Another case he was present at involved the investigation and deep coverage of an opera house in Paris, later to become a ballet house. The basement consisted of a cell that held prisoners in the Paris Commune, which were the rulers of Paris through much of the Franco-Prussian war.