Gerard Manley Hopkins 
Poems of Gerard Manley Hopkins 
Now First Published

Gerard Manley Hopkins, a Jesuit priest and renowned poet, showcases his innovative style in the collection ‘Poems of Gerard Manley Hopkins.’ Known for his use of inscape, instress, and sprung rhythm, Hopkins’ work stands out in Victorian literature for its unique form and thematic depth. Exploring themes of nature, faith, and the human experience, these poems display a profound connection to God and the natural world. Hopkins’ experimental language and vivid imagery create a sensory experience for readers, inviting them to contemplate the beauty and complexity of existence. Drawing inspiration from his religious beliefs and observations of the world around him, Hopkins crafts poems that are both contemplative and thought-provoking. Through his intricate wordplay and intricate rhythms, Hopkins invites readers to delve into the depths of his spiritual and emotional explorations, offering a glimpse into the inner workings of a complex and gifted poet. ‘Poems of Gerard Manley Hopkins’ is a must-read for those interested in Victorian poetry, religious themes, and innovative literary techniques.

Giới thiệu về tác giả

Gerard Manley Hopkins (1844–1889), an esteemed English poet, is celebrated for his innovative use of language, particularly his concept of ‘sprung rhythm’. Born into a devout Anglican family, Hopkins converted to Roman Catholicism and joined the Society of Jesus, where he would live as a Jesuit priest. A sense of spiritual fervor and conflict characterizes much of his poetry, which often grapples with themes of nature, religion, and inner struggle.

In his lifetime, his work was largely unpublished and unrecognized, with ‘Poems of Gerard Manley Hopkins’ posthumously released in 1918 by his friend Robert Bridges, who was then the Poet Laureate of the UK. This seminal volume contained what would become some of Hopkins’s most famous poems, including ‘The Wreck of the Deutschland, ‘ ‘The Windhover, ‘ and ‘Pied Beauty.’ His innovative poetics, particularly his use of sprung rhythm and his philosophy of ‘inscape’ and ‘instress, ‘ broke with conventional Victorian era verse to create a radically new rhythmic structure echoing natural speech. These stylistic elements, along with his use of imagery and intense emotion, prefigured Modernist poetry and left an indelible mark on the literary world. Hopkins has since been recognized as an important precursor to the Modernist movement and one of the greatest poets of the 19th century.