Anonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars research anonymous entities without impairing their anonymity, and what can they learn from their precarity?
This study describes two projects of anonymity performance as forms of critical practice (Judith Butler/Michel Foucault) involving performative play with anonymity through the use of fake identities or collaborative persona imaginations. Adopting a reflexive and performative writing style, this performance ethnography calls for a radical performative turn and an ontological reflexivity in the cultural studies of music.
This study describes two projects of anonymity performance as forms of critical practice (Judith Butler/Michel Foucault) involving performative play with anonymity through the use of fake identities or collaborative persona imaginations. Adopting a reflexive and performative writing style, this performance ethnography calls for a radical performative turn and an ontological reflexivity in the cultural studies of music.
Giới thiệu về tác giả
Stefanie Kiwi Menrath (Dr. phil.) is postdoctoral fellow at the University of Hildesheim and works in cultural and music education projects.
Ngôn ngữ Anh ● định dạng PDF ● Trang 232 ● ISBN 9783839442562 ● Kích thước tập tin 5.5 MB ● Nhà xuất bản transcript Verlag ● Thành phố Bielefeld ● Quốc gia DE ● Được phát hành 2019 ● Phiên bản 1 ● Có thể tải xuống 24 tháng ● Tiền tệ EUR ● TÔI 6406066 ● Sao chép bảo vệ DRM xã hội