This edited collection will draw attention to how the mainstreamification of queer identities has crafted a dynamic field in which a wide variety of queer identities can be put on display and consumed by audiences.
Queer critics and queer theory as a whole tend to frame queer identities as marginal (Sedgwick, 1990; Halberstam, 2011), and these landmark scholars have cemented a foundational understanding of queerness that is now at odds with current shifts in media production. The chapters here will present a broad variety of queer identities from across a range of televisual genres and shows in an effort to reconsider the marginalisation of queerness in the twenty-first century. Doing so challenges pre-existing notions that such mainstreamification necessitates being subsumed by the cisheteropatriarchy. Therefore, the project argues the converse: that heteronormative assumptions are outdated, and new queer representations lay the groundwork for filling gaps that queer criticism has left open.
Mục lục
Acknowledgements
Introduction: The Evolving Landscape of Queer Television
Dany Girard, Thomas Brassington, Debra Ferreday
Part I: Dramatic Realities
1. Love, Victor and the Utopian Function of Networking Queer Identity Work
Sam Hunter
2. Striking Poses of Possibility: Exploring the Transgressive Imaginations of the Series Pose and its Promotional Posters
Daphne Gershon
3. ‘Que soy marimacha’: Vida’s Queer Inheritance
Laura Stamm
Thought Pieces
‘You Cannot Put A Fire Out’: Revisiting Queer Female Histories in Dickinson
Sarah E. S. Sinwell
Pushing ‘LGBT-Friendliness’ into Japanese Television: A Case Study of My Brother’s Husband
Timo Thelen
Part II: Paratextual Politics
4. You Don’t Get Points for Paratext: The Precarity of Queer Representation in Good Omens
Alex Xanthoudakis and Tvine Donabedian
5. Soulmates and Brotherhood: Homosociality and Homosexuality in the Chinese Series, The Untamed
Roxanne Tan
6. Retrospective Queering: LGBTQ Representation in The Legend of Korra Television Series and Comics
Sarah Busch
Thought Pieces
For the Honor of Gayskull: Why Queer Love Saving the Universe in She-Ra and the Princesses of Power Matters
Colleen Etman
Part III: Generic Possibilities
7. Not Just A southern Pansy, Sergeant. the Southern Pansy: Good Omens’ Queer Representation
Dawn Stobbart
8. Granting Wishes: Representing Queerness in American Gods
Yaghma Kaby
9. ‘It’s called acting! That’s the real magic here’: She-Ra and the Princesses of Power’s Nonbinary Character Double Trouble as Lens for Intersection of Identity, Performativity and Acting
Harold Bosstick
10.’Those are the worst jobs on the ship:’ Star Trek: Lower Decks and the Radical Queer Utopia
Dany Girard
Thought Pieces
De-Fanged Queerness in Dracula Reimagined
Carey Millsap-Spears
Claws & Queer Fantasy: The Queer Power of Contemporary Television Narrative
Brecken Hunter
Coda: Looking Forward to the Next Season of New Queer Television
Debra Ferreday, Dany Girard, Thomas Brassington
Giới thiệu về tác giả
Dr Danielle Girard received their Ph.D. from Lancaster University. Their thesis mapped the evolution of paratextual queer fiction (slash fan fiction) being produced in conjunction to the original series of Star Trek. They are currently working on both an edited collection and Special Issue on new queer television. Their research interests revolve around queerbaiting, queer(ed) and trans bodies in horror TV and film, feminine expression and pop culture.Thêm sách điện tử từ cùng một tác giả / Biên tập viên
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