David B Honey 
A History of Chinese Classical Scholarship, Volume I, Zhou 
Confucius, The Six Classics, And Scholastic Transmission

The first volume of David M. Honey’s comprehensive history of Chinese thought offers a close study of Confucius, that tradition’s proto-classicist. This opening volume examines Confucius traditions that largely formed the views of later classicists, who regarded him as their profession’s patron saint. Honey’s survey begins by examining how these views informed the Chinese classicists’ own identities as textual critics and interpreters, all dedicated to self-cultivation for government service. It focuses on Confucius’s methods as a proto-classical master and teacher, and on the media in which he worked, including the spoken word and written texts. As Honey explains, Confucius’s immediate motivations were twofold: the moral development of himself and his disciples and the ritual application of the lessons from the classics. His instruction occurred in ritualized settings in the form of a question and answer catechism between master and disciples. This pedagogical approach will be analyzed through the interpretive paradigm of “performative ritual, ” borrowed from recent studies of Greek classical drama. The volume concludes with a detailed treatment of a trio of Confucius’s disciples who were most prominent in transmitting his teachings, and with chapters on his intellectual inheritors, Mencius and Xunzi.

关于作者

David B. Honey was born in El Paso Texas, but grew up in Southern California. Graduating from UCLA in 1980, he earned his MA (1984) and Ph D (1988) degrees from the University of California, Berkeley. Since 1987, he has taught classical Chinese and Chinese literature at Brigham Young University where he was honored as the Humanities Professor of Chinese from 2020 through 2022. His major publications reflect variegated research interests. The Rise of the Medieval Hsiung-nu: The Biography of Liu Yuan (1990), Incense at the Altar: Pioneering Sinologists and the Development of Classical Chinese Philology (2001), a work composed in Chinese, Xifang jingxueshi gailun 西方經學史概論 (A Short History of Classical Scholarship in the West) (2012), and The Southern Garden Poetry Society: Literary Culture and Social Memory in Guangdong (2013) all represent these ancillary interests. A Chinese translation of Incense at the Altar is currently in press. Professor Honey’s main research commitment is represented by this publication of the first three volumes of a projected five-volume set titled A History of Chinese Classical Scholarship. Vols. one (2018) and two (2019) have appeared in Chinese translation by Social Sciences Academic Press, Beijing.