Margaret Kean 
The Literature of Hell 

Essays considering the representation and perception of hell in a variety of texts.


Narratives of a descent to the underworld, of the sights to be seen and the punishments meted out there, have kept a hold on the popular imagination for millennia. The legacy from doctrinal warnings and the deep-set literary markers that identify a place of suffering and alienation continue to stimulate creative exchange and critical thinking. Such work takes risks: it braves the dark and questions the past.

The contributions in this volume reflect on the exigency of hell in the stories that we tell. They consider the transfer and repurposing of motifs across genres and generational divides, and acknowledge the sustained immediacy of physical and psychological landscapes of hell. The essays span a wide chronological range and apply various contemporary critical approaches, including cognitive science, performance studies and narratology. This cross-period analysis is complemented by interviews with three creative practitioners: Jeya Ayadurai, director of ‘Hell’s Museum’ in Singapore, the actor Lisa Dwan, who is acclaimed for her dramatisation of Samuel Beckett’s late works, and the writer David Almond. From ancient myth and early English sermons to mid-twentieth-century surrealism and current responses to terrorist activities and environmental damage, the literature of hell engages with issues of immediate relevance and asks its audiences to reflect on their cultural history, the meaning of social justice and the nature of embodied existence.

表中的内容

Introduction,

Margaret Kean


PART I:
Cum
Timor et Tremore: Landscapes for Hell


Folk Horror: Hell and the Land in Old English Homilies for Rogationtide,

Helen Appleton


Pandæmonium as Parallax: Metropolitan Underworlds and Anarchist Clubs in Nineteenth-Century London and its Literature,

Charlotte Jones


Hell’s Museum, Singapore,

Interview: Jeya Ayadurai


PART II: Out into this World: Sensory Hells


The Taste of Food in Hell: Cognition and the Buried Myth of Tantalus in Early Modern English Texts,

Laura Seymour


Hell’s Kitchen: Underworlds in Leonora Carrington’s
Down Below and
The Hearing Trumpet,

Hannah Silverblank


Samuel Beckett’s
Not I,

Interview: Lisa Dwan


PART III: Mind the Gap: Telling the Tale


Terra tremens:
Katabasis in Seamus Heaney’s
District and Circle (2006),

Rachel Falconer


Whirlpools, Black Holes and Vortical Hells in Literature,

Jonathan R. Olson


The Song of Orpheus,

Interview: David Almond

关于作者

MARGARET KEAN is the Dame Helen Gardner Fellow in English at St Hilda’s College, Oxford.