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A collection of essays commemorating Hector Berlioz’s life and work on the 200th anniversary of his birth.
This far-reaching collection of heretofore unpublished studies ushers in the two-hundredth anniversary of the birth of Hector Berlioz [1803-1869]. The contributors include leading music historians and two prominent historians of culture, Peter Gay and Jacques Barzun. The essays discuss Berlioz’s views of the music of the ‘past, ‘ Berlioz’s interactions with music and musicians of his ‘present, ‘ and views of Berlioz during the several generations after his death [the ‘future’]. A long-awaited piece by Richard Macnutt meticulously inventories and investigates more than two hundred letters and documents that are now known to have been forged but that have sometimes been accepted as authentic. Further contributions, from David Charlton, Heather Hadlock, Sylvia L’Ecuyer, Katherine Kolb, Catherine Massip, Kerry Murphy, Jean-Michel Nectoux, Cecile Reynaud, and Lesley Wright, consider specific aspects of Berlioz’s creative work and critical reception.
The editor, Peter Bloom, is Grace Jarcho Ross 1933 Professor of Humanities in the Department of Music at Smith College. His scholarly work has focused primarily on the life and workof Berlioz. He is a member of the Panel of Advisors of the
New Berlioz Edition and the author of
The Life of Berlioz.
This far-reaching collection of heretofore unpublished studies ushers in the two-hundredth anniversary of the birth of Hector Berlioz [1803-1869]. The contributors include leading music historians and two prominent historians of culture, Peter Gay and Jacques Barzun. The essays discuss Berlioz’s views of the music of the ‘past, ‘ Berlioz’s interactions with music and musicians of his ‘present, ‘ and views of Berlioz during the several generations after his death [the ‘future’]. A long-awaited piece by Richard Macnutt meticulously inventories and investigates more than two hundred letters and documents that are now known to have been forged but that have sometimes been accepted as authentic. Further contributions, from David Charlton, Heather Hadlock, Sylvia L’Ecuyer, Katherine Kolb, Catherine Massip, Kerry Murphy, Jean-Michel Nectoux, Cecile Reynaud, and Lesley Wright, consider specific aspects of Berlioz’s creative work and critical reception.
The editor, Peter Bloom, is Grace Jarcho Ross 1933 Professor of Humanities in the Department of Music at Smith College. His scholarly work has focused primarily on the life and workof Berlioz. He is a member of the Panel of Advisors of the
New Berlioz Edition and the author of
The Life of Berlioz.
€32.99
Table of Content
Berlioz’s Berlioz – Peter GayCatherine Massip, ‘Berlioz and Early Music’
David Charlton, ‘Learning the Past’
Sylvia L’Ecuyer, ‘Joseph d’Origue’s ‘Autopsy’ of Benvenuto Cellini’Cellini’
Katherine Kolb, ‘Plots and Politics: Berlioz’s Tales of Sound and Fury’and Fury’
Kerry Murphy, ‘Berlioz, Meyerbeer, and the Place of Jewishness in Criticism’Criticism’
Cecile Reynaud, ‘Berlioz, Liszt, Virtuosity’
Heather Hadlock, ‘Berlioz, Ophelia, and Feminist Hermeneutics’
Jean-Michel Nectoux, ‘Berlioz in 1900: Between Fervor and Fear’
Lesley Wright, ‘Berlioz in the Fin-de-siècle Press’
‘Berlioz Forgeries’ Richard Macnutt
Fourteen Points about Berlioz and the Public, or Why There Is Still a Berlioz Problem – Jacques Barzun
About the author
PETER BLOOM is the Grace Jarcho Ross Professor of Humanities Emeritus at Smith College.
Language English ● Format PDF ● Pages 232 ● ISBN 9781580466516 ● File size 1.9 MB ● Editor Peter Bloom ● Publisher Boydell & Brewer Ltd ● City Rochester ● Country US ● Published 2003 ● Downloadable 24 months ● Currency EUR ● ID 9053467 ● Copy protection Adobe DRM
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